Thursday, July 21, 2022

DPW Spotlight Interview: Mark Rosenbohm

 Each week we will spotlight a different DPW artist who will give away one of their best paintings. To enter to win Mark's painting "Brown Pelican" go to Daily Paintworks and click on the link at the top of the page announcing their interview.

From Mark's DPW Gallery Page: 

I am a self taught artist and native New Orleanian. I've spent my career as a graphic designer, illustrator and visual artist. As a college student, my first job was working as an artist in the t-shirt screenprinting industry. However, most of my career has been working a freelance artist, with a client list of small and large businesses. I work in a variety of mediums and styles, including watercolor, acrylic or oil.  I have produced posters and t-shirt designs for a number of local festivals and fairs. A lifetime of local music, food, art and architecture provide a rich inspiration for the work you see. 


Brown Pelican
(click to view)

What did you want to be growing up? 

I think my vision of what I’d be as an adult was much the same as most kids who are influenced by what appeals to them as they discover it. I think it was ever changing…a policeman whenever we had them visit our classroom as part of the ‘Officer Friendly’ program. Some days it might be a schoolteacher if I was particularly fascinated with my teacher that year. Art has always felt the most natural for me, so that has guided me to a career as a creative type. 

When did your artistic journey begin? 

Some of my earliest memories are drawing, the same as many kids. In my case, it has always been a part of my life. I was always the kid who was known as ‘good at drawing’. 

Streetcar sketch
(click to view)

Did you have any long periods without creative expression? How did you get back on the horse? 

At various times, life gets in the way. I’ve felt very unproductive during those times. I usually seek inspiration by looking at the work of others. It always makes me want to start creating again. I have a large library of art books to browse, but social media makes that so much easier now. 

Which mediums and genres do you gravitate toward? Which ones don’t appeal? 

I’ve worked in so many different mediums. Currently watercolor is my preference. It’s more portable, so I can draw while sitting in front of the television. Once I have a drawing, I can often sit down and complete a piece in one sitting. I’ve felt that way about acrylic painting at times, but it usually involves me dedicating time to work only in my studio. I haven’t had a real desire to paint only in oils, but I do use them with acrylics from time to time. 

Porch kitties
(click to view)

What was the process like of pinpointing your personal style or finding your voice? 

I’ve been at this most of my life, so I think of style as a natural way of drawing, painting or mark making. It’s the sum of outside artistic influences colliding with methods and mediums that I find comfortable. My current line and wash work has been a really intuitive way of working. If it felt like a task to create, I would be frustrated and not bother. 

Name an artist (or artists), well-known or not, who you admire. Why? 

There are so many. Lately, I’ve been looking at quite a lot of urban sketchers…Ian Fennelly, Paul Wang and an artist named Charlie Breen whose work is quite playful and enjoyable to me. I love illustrators like John Cuneo and Joe Ciardiello. These are only a fraction of people I follow. I really appreciate artists in a variety of mediums and approaches. I could go on all day. 

Lucky dogs
(click to view)

 If you could offer one piece of advice to your younger, creative self — what would that be? 

Don’t get caught up in trying to create a style. Soak up the work of others you enjoy, but have fun making your own art. Enjoying the process will give you more joy than anything else. 

Do you utilize any habits or tricks for winning the distraction and procrastination battle? 

For me, it usually takes simply sitting down and drawing. Sometimes you create things you don’t like, but everyone has to get those bad drawings out before the better stuff comes along. Don’t beat yourself up over dissatisfying results. 

Tabasco
(click to view)

In moments of self-doubt or adversity, how do you push forward? 

Everyone has bad days. Sometimes, it just requires stepping away and coming back to it later. Involve yourself in something that’s totally unrelated to take your mind off of it. Exercise, put on your headphones and listen to music or a podcast, take a shower, take a walk, or read. I like to cook, so that usually takes me to a different place. 

What are some of your long and short term goals for yourself or your art? 

My immediate goal is to continue to explore watercolor, especially as it pertains to the urban sketch type of work that I’m currently creating. I’d also like to try exhibiting at some art markets after our sweltering summer has passed. Exploring other working methods in the near future is on my to-do list. It seems that working in a new or different medium, like watercolor, informs the way I work in others, so I’m anxious to explore different techniques in acrylic. It’s a bit vague for me right now, but I have a few ideas I’d like to try. 

Audubon Park Oak
(click to view)

What does success mean to you personally? 

Enjoying the process is most important. Learning and evolving comes with that. If others like my work, that is a big plus. I suppose acceptance is good for most of us. If someone feels a connection to something I’ve created, that’s a really good moment for me. I’ve especially seen that in recent commissions and some other works. 

What is one of your proudest moments in your creative life? 

I don’t think there is a single moment. There are so many happenings along the way. Sometimes I complete a piece and feel really proud of the individual work. There are other times when I receive a commission and worry that I won’t make my client happy, but I give my best and it works out. That makes me really proud of the work I’ve produced.

Near Rampart
(click to view)

Thanks, Mark!

© 2022 Maddie Marine

Thursday, July 7, 2022

DPW Spotlight Interview: Carol Betker

Each week we will spotlight a different DPW artist who will give away one of their best paintings. To enter to win Carol's painting "A Little Light" go to Daily Paintworks and click on the link at the top of the page announcing their interview.

From Carol's DPW Gallery Page: 

Former art teacher in public schools, I now just enjoy painting alla prima everything in my path.....I have studied artists like Jessica Zemsky, Richard Schmit and Dreama Tolle Perry and love to play with light, edges and emotion.  Thank you for taking a look at my work and may it bring a smile to you!



A Little Light
(click to view)

Enter to win by clicking on the link at the top of the DPW home page announcing interview

What did you want to be growing up? 

I remember this question back in high school as looking forward and saying "an art teacher"....maybe it was a lack of knowledge on my part of what careers were available for women, but after 5 years of stops and starts, I went back to college and finished my teaching degree, with an Art major. 
 
When did your artistic journey begin? 

We moved around a lot as a child following my father's work so maybe it was partly filling in the alone time (not lonely but just alone) that I always had my pad and pencil drawing over and over until I felt some sense of controlling those contours of whatever was in front of me, usually photos of horses. 
 
To The Banquet
(click to view)

Did you have any long periods without creative expression? How did you get back on the horse? 

I don't think I had discipline for a long time to do daily practice of painting, I was teaching and one thing I remember not wanting to have my students influenced by my style (no surprise I had no style back then), I threw every kind of art medium my budget would allow for these kids to experience: drawing, painting, pottery, printmaking, etc....I was a one man band in small school districts! But when I retired about 10 years ago I started to take the time to explore what made me happy artistically. PLUS I have a husband whose wildlife photographs offer me endless inspiration and reference !!

Which mediums and genres do you gravitate toward? Which ones don’t appeal? 

I enjoyed acrylic for several years because of the vibrant color, but now that oil has low odor, I prefer the blending ability of the creamy oils. Watercolor works for times when I'm sitting in the car and can't do messy kinds of painting. I lean toward impressionism trying to keep the painting loose, I appreciate abstracts but don't do them , and other expressions of art can be fun but I don't care for "dark" art that provokes... If I want to be depressed I'll turn on the news, right?

Berry Big
(click to view)

What was the process like of pinpointing your personal style or finding your voice? 

I started like a lot of artists very tight, controlled, trying to make that thing look like what my mind was saying it should look like.....but I was using techniques with my students from "Drawing On The Right Side of the Brain" by Betty Edwards and "Drawing With Children" by Mona Brookes and I was relearning right along with the kids. I was aware of some rules of composition and now I was also breaking those rules, with boldness...at least it seemed bold for me!

Name an artist (or artists), well-known or not, who you admire. Why? 

I studied the books by Richard Schmidt and loved how his edges just brought his beautiful oil landscapes to life! I took a workshop by Jessica Zemsky and learned that there are no excuses for not painting everyday, ...I fell in love with her portraits of children because I had young daughters at that time....and now my favorite artist is one of DPW's members, Dreama Tolle Perry. She has put the fun into my work and the encouragement to try any subject! I think I've taken every workshop she offers and it's the best investment I've made ! And I think Carol Marine is a master at lost and found edges!

Pretty Boy
(click to view)

If you could offer one piece of advice to your younger, creative self — what would that be? 

For me it's 'be authentic' ...learn what you can and then be your own voice. I'm still learning this by the way.
 
Do you utilize any habits or tricks for winning the distraction and procrastination battle? 

I keep my easel and paints set up, and a good supply of gessoed small boards. Small 8 x 8 or so can be finished fairly quickly with the alla prima style I prefer.
 
Peek a Boo
(click to view)

In moments of self-doubt or adversity, how do you push forward? 

Just start again, sometimes a little break to get inspired but it comes down to start again, get the brush moving, paints blending, and stay with it.

What are some of your long and short term goals for yourself or your art? 

I don't know if I have the energy anymore to do sidewalk sales and those types of shows. I seem to sell in galleries and venues that open up their wall space for art like we have a lot of wineries in eastern WA State who love the arts. I enjoy selling, and hope my work brings joy to the patron....that's satisfaction enough.

Promise
(click to view)

What does success mean to you personally? 

If my work can make the viewer take a slightly longer look and feel some emotion in that moment then I'm getting close to success. 

What is one of your proudest moments in your creative life? 

I have won some recognition awards in juried shows but I had an international validation moment a couple years ago when a viewer in Japan bought one of my large pieces from a local gallery .I am also grateful for DPW for opening up a platform for artists around the world! 

Awaiting
(click to view)

Thanks, Carol!

© 2022 Maddie Marine